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Instrumento in Batam” From: Bonanni, Filippo. Gabinetto armonico pieno d’ istromenti sonori indicati e spiegati. Nella Stamperia di Giorgio Plancho, Rome, (Rome: Giorgio Placho, ) Quarto; 99 leaves, plus frontispiece and [of ] plates; modern half gilt-stamped brown morocco, marbled paper boards. Bonanni, Filippo () Gabinetto Armonico pieno d’Istromenti sonori indicati, e spiegati dal padre Filippo Bonanni della Compagnia di Giesù offerto al .

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The edition is presented in the issue supplemented with the final Aggiunta containing seven additional pages of text and twelve more plates; armonicp errata on the recto of the final leaf, which replaces the errata leaf that was bound in the first issue after fol. You could not be signed in.

Spine with five raised bands, gilt-tooled; title in gold on morocco lettering-piece. Don’t already have an Oxford Academic account?

Choral works from the Bachs and their contemporaries.

Filippo Buonanni and the harmonic Cabinet

A portrait of King David with a harp engraved gabinehto Arnold Van Westerhout after Spargioni, and full-page engraved plates depicting musical instruments. Several instruments are also related to the New World, such as the ‘Trombo della Florida’. Sign in via your Institution Sign in. Most users should sign in with their email address. Sign In or Create an Account. Lutes, vihuelas and guitars—filling in some gaps.


CIII is misplaced before p.

He was also responsible for the Museum Kircherianum, and this volume presents the important collection of musical instruments once assembled in this museum. X5v, is also augmented with three new entries.

The present book, reprinted inwas Bonanni’s last publication. This article locates the work at the intersection of a number of traditions of representing music, including music treatises, cabinets of curiosities and virtual paper museums. Sign In Forgot password?

About the Gabinetto Armonico | Encountering the Other

Mayer-Deutsch, Das Musaeum Kircherianum. Oxford University Press is a department of the University of Oxford. A good, genuine copy. Spine damaged, joints heavily restored. The author of this work, the Jesuit Filippo Bonanni, was arjonico librarian at the Collegio Romano, and succeeded his teacher Athanasius Kircher as Professor of Mathematics.

Purchase Subscription prices and ordering Short-term Access To purchase short term access, please sign in to your Oxford Academic account above. Very light browning throughout, some plates more heavily browned.

The image is unusual first because the player is a woman and second because the accompanying text states that she was a poor vagrant, in marked distinction to other accounts of the instrument that stress its aristocratic and virtuosic nature. Early music online survey: This article is also available for rental through DeepDyve.


Marbled flyleaves, red edges. Woodcut title vignette, elaborate woodcut initials, head- and tailpieces.

Gabinetto armonico pieno d’istromenti sonori / indicati, e spiegati dal padre Filippo Bonanni

First edition of the earliest attempt to describe and depict every known musical instrument from ancient times up to the period in which the author lived, and one of the most important eighteenth-century sources for the history of musical instruments. Bonanni describes a total of ancient and modern instruments, including examples from Africa, Asia, the Middle East, and America: Citing articles via Google Scholar.

You do not currently have access to this article. This latter is proposed as agmonico possible model for the unusual format of the Gabinettowhereby each instrument armobico illustrated as part of a full-length portrait of a player.

The double-folding plate shows the ‘Galleria armonica’, i. The unsigned plates are attributed to Van Westerhout and Spargioni. Close mobile search navigation Article navigation.